Nightmares [OPEN]
Jun. 14th, 2014 08:33 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
kennedyk She hasn't been seen in three days. Wait, four? No, it's been five days. The last person to see Kennedy was Iris during their girls' night in Kennedy's apartment. Her shop has been closed ever since, and she hasn't been seen outside of her apartment.
It happened the day after Iris left. She thinks? Her vision blurred, heart racing as she felt the overwhelming drowning sensation of a premonition. A storm, vague like trying to remember a distant dream days after it happens. She tried to paint the scene, but couldn't remember details for the life of her and trying to produce what played in her mind onto a canvas frustrated Kennedy to a point where she tossed her brush and paints onto the floor. Even more frustrating than trying to paint the vision was cleaning her own damn mess. She cursed herself for losing her temper so easily and before she could completely wipe up the vibrant red from the wood floors, paint seeping between the cracks, her mind was attacked by an onslaught of visions.
Storms, murder, death, police, water, love, loss, the sounds of a life torn apart.
This continues for days.
It's confusing. Overwhelming. Locations range from seaside to plains to snow covered cities. Every time a vision fades, Kennedy is left weak, but driven to paint. It's a compulsion she can't break away from. She scratches messages and crumbling buildings into a notebook. Her walls are now covered in canvases--some streaks of violent colours everywhere, others with full scenes, dark and haunting. The visions repeat in a cycle and she can't sleep. She's long lost track of time, barely eating and sleeping. When she does sleep, the visions become worse, playing into her imagination and morph into truly horrifying nightmares that wake her up screaming and shivering. They've infected her mind.
She finally passes out from hunger and sleep deprivation at 3pm Saturday afternoon and wakes up at seven Sunday morning. Perched gingerly at the edge of her bed like she's afraid to move or she'll shatter like glass, Kennedy takes several deep calming breaths and waits for the next wave of visions to strike. After thirty minutes of freedom, she ventures to get out of bed. This leads to washing her face, changing clothes, brushing her hair, and stepping out of her apartment--all movements that are automatic, her body taking control to care for itself while Kennedy's mind runs a-mile-a-minute, paranoid and anxious.
Next thing she knows, she's in front of Quill. There's a coffee in her hands, though she doesn't remember ordering it. She wipes her cheek and she's surprised to feel tears. When did she start crying? And before she can put the breaks on her emotions, she's sobbing on the sidewalk. A girl sobbing uncontrollably on a sidewalk with her coffee.
It happened the day after Iris left. She thinks? Her vision blurred, heart racing as she felt the overwhelming drowning sensation of a premonition. A storm, vague like trying to remember a distant dream days after it happens. She tried to paint the scene, but couldn't remember details for the life of her and trying to produce what played in her mind onto a canvas frustrated Kennedy to a point where she tossed her brush and paints onto the floor. Even more frustrating than trying to paint the vision was cleaning her own damn mess. She cursed herself for losing her temper so easily and before she could completely wipe up the vibrant red from the wood floors, paint seeping between the cracks, her mind was attacked by an onslaught of visions.
Storms, murder, death, police, water, love, loss, the sounds of a life torn apart.
This continues for days.
It's confusing. Overwhelming. Locations range from seaside to plains to snow covered cities. Every time a vision fades, Kennedy is left weak, but driven to paint. It's a compulsion she can't break away from. She scratches messages and crumbling buildings into a notebook. Her walls are now covered in canvases--some streaks of violent colours everywhere, others with full scenes, dark and haunting. The visions repeat in a cycle and she can't sleep. She's long lost track of time, barely eating and sleeping. When she does sleep, the visions become worse, playing into her imagination and morph into truly horrifying nightmares that wake her up screaming and shivering. They've infected her mind.
She finally passes out from hunger and sleep deprivation at 3pm Saturday afternoon and wakes up at seven Sunday morning. Perched gingerly at the edge of her bed like she's afraid to move or she'll shatter like glass, Kennedy takes several deep calming breaths and waits for the next wave of visions to strike. After thirty minutes of freedom, she ventures to get out of bed. This leads to washing her face, changing clothes, brushing her hair, and stepping out of her apartment--all movements that are automatic, her body taking control to care for itself while Kennedy's mind runs a-mile-a-minute, paranoid and anxious.
Next thing she knows, she's in front of Quill. There's a coffee in her hands, though she doesn't remember ordering it. She wipes her cheek and she's surprised to feel tears. When did she start crying? And before she can put the breaks on her emotions, she's sobbing on the sidewalk. A girl sobbing uncontrollably on a sidewalk with her coffee.
